Conversational, unsensational, ironic, attuned to the absurd.--Times Literary Supplement

This book, the correspondence of two good writers and close friends, presents completely new material written very well and at the same time in a comfortable and natural style. The letters are personal, warm, witty, imaginative, detailed, sometimes lyrical, and, most compellingly, written with frankness, honesty, and good humor. Here, we can look 'behind' their art and witness what goes on in their day-to-day lives, how they experience moments of joy or well-being, how they suffer and try to laugh off their suffering. Above all, the compelling pleasure of the book is the opportunity to spend personal, intimate time in the company of these lively, intelligent, compassionate, and mutually loving people.--Lydia Davis, author of Essays One and Essays Two: On Proust, Translation, Foreign Languages, and The City of Arles

This book, the correspondence of two good writers and close friends, presents completely new material written very well and at the same time in a comfortable and natural style. The letters are personal, warm, witty, imaginative, detailed, sometimes lyrical, and, most compellingly, written with frankness, honesty, and good humor. Here, we can look 'behind' their art and witness what goes on in their day-to-day lives, how they experience moments of joy or well-being, how they suffer and try to laugh off their suffering. Above all, the compelling pleasure of the book is the opportunity to spend personal, intimate time in the company of these lively, intelligent, compassionate, and mutually loving people.--Lydia Davis, author of Essays One and Essays Two: On Proust, Translation, Foreign Languages, and The City of Arles

More than a delightful record of a unique literary friendship, more than a chronicle of how Lucia and Kenward negotiated distance, patronage, moodiness, and the volatility of two artistic temperaments, Love, Loosha is a splendid treatise on aging out of lives in which decisions were made for pleasure and art more than for practicality or stability. A luscious and lyric counter argument to the dangers of a life lived in pursuit of beauty. Brava. Bravo.--Pam Houston, author of Deep Creek: Finding Hope in the High Country

These letters read like a literary love affair between two brilliant writers who aim to delight, entertain, and confide in each other. What Berlin says of Elmslie's side of the correspondence is true of both: 'Beautiful writing, good gossip, funny stories. . . . You and I have known remarkable people.'--Jennifer Dunbar Dorn, editor of Collected Poems: Edward Dorn